Images from the collection of Joe Kinney. Check out our photo galleries HERE , HERE, and HERE and check out Lauren Johnston's great video tour of the hotel with Joe Kinney.
The maze of tunnels under New York includes one you probably never heard of. It lies 30 feet below the intersection of West 34th Street and Eighth Avenue and links the New Yorker Hotel to Penn Station.

This tunnel is no utilitarian slouch: It's sheathed in sumptuous Art Deco tile and long-empty glass sign displays that promoted Duke Ellington shows to travelers being whisked through the passage by bellhops. You'd say, "Take me to the New Yorker and you wouldn’t have to go outside,” Joe Kinney, the hotel's engineer and historian, said during a recent tour of the hotel.

Indeed, the New Yorker's historic spirit is filling all of its corridors again, as a room-by-room renovation draws toward completion, powered by the strong Art Deco genes that gave it life almost 80 years ago. But for many of those years, the hotel had lost touch with its history. It closed in 1972 and was purchased by the Unification Church. In 1994, it reopened under its original name, but only now is it truly reclaiming its lost history and pride of place among the city's hotels.
It's easy to see how Kinney, 57, who joined the staff in 1996, became captivated by its history, and how he was able to sell senior management on the idea that the hotel's future lay in its past. The striking pyramidical, set-backed tower was financed and built before the Wall Street crash of 1929, and opened into a sobered-up world on Jan. 2, 1930, with the Great Depression already under way.
The 43-story hotel boasted many extremes when it opened: It was the biggest, the tallest, the one with the largest switchboard, the largest kitchen, the largest private power plant. Today, its massive LED sign is a skyline fixture and is possibly the largest of its kind anywhere.
You hear of the ice follies at the Terrace Room, of visits by actor Mickey Rooney and band leader Benny Goodman, and of Nikola Tesla, the electrical genius whose obsession with numbers and his love for pigeons still draw the curious to the hotel, where he spent his final years.
The New Yorker Hotel's historically minded renovation comes at a time when the future of its former swing-era arch enemy, the Hotel Pennsylvania, has been in question, and during a time when the wrecking ball has been tearing down old New York with abandon.
The hotel’s rebirth is due in no small part to Kinney's curiosity and cheer-leading for the hotel's history.
“I feel very happy that I was able to push the Art Deconess of the hotel and that the architects took that into consideration," Kinney said, speaking of the work of the firm Stonehill & Taylor. "They did a great job.”
